Imagine my surprise when I mentioned to B.’s sister my recent trip to the Museum of Fine Arts and the Isabella Stewart Gardner museum and she told me that my maternal grandfather loved the Gardner museum. As a chauffeur, he would drive his employer down to Boston often and she enjoyed shopping, concerts and visiting museums so he had a chance to visit all these places.
I mentioned this to B. the other night. She mentioned that he came down while she was at the maternity home and took her over to visit the Gardner Museum. I don’t know why I was so flabbergasted by this revelation but I couldn’t believe it. I blurted out something about how my Saturday visit wasn’t actually my first visit and she laughed.
Later, I thought about it and decided it was an interesting choice to take your young pregnant daughter who is about to give up her child to the Gardner museum. Isabella seemed to have a preference for art that featured the Madonna and Child. As she lost her only child at 18 months and suffered a great depression over his death, it seems natural that her selections would lean in this direction. I also read that she created this collection so she could leave something behind that would “live on” forever.
I am certainly not religious and no art expert but when I saw the painting (below) I couldn’t help being transfixed by her face. There is a gentle sadness in her face and it is interesting that the child’s face is less distinct. Almost fading. Lost.
Since visiting the ISG museum, I have become mini-obsessed with learning as much as I could. I bought several books and the movie “Stolen” about the 1990 robbery. At first, I thought it was exciting reading all about the heist and thought it was cool that the frames of the stolen works stand empty following Isabella’s will instructions.
Lately, I find that the robbery was a terrible insult and tragedy. This museum was created in essence to honor a lost child. Maybe not lost to adoption but lost the same. A young mother’s staggering grief, her energies and her wealth all turned toward creating a timeless tribute.
I wonder if the young pregnant girl who wandered through the rooms and gardens in 1962 felt any of those same thoughts…

